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Showing posts with label Political Economy. Show all posts
Showing posts with label Political Economy. Show all posts

Robert McChesney: Capitalism and the Internet

Robert McChesney: Capitalism and the Internet
Against the Grain

Two decades into the internet revolution, what's the state of a medium that was supposed to create new, perhaps utopian, relationships between people around the world? Why is it not dominated by collaborative, non-profit efforts like Wikipedia? Media critic Robert McChesney describes how capitalist interests have managed to enclose the non-commercial promise of the internet -- and argues that it doesn't have to be so. He also considers the state of online journalism.

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Immanuel Wallerstein: Structural Crisis in the World-System -- Where Do We Go from Here?

Structural Crisis in the World-System: Where Do We Go from Here?
by Immanuel Wallerstein
Monthly Review

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A second major cyclical rhythm of the capitalist world-economy is that involving the interstate system. All states within the world-system are theoretically sovereign but actually highly constrained by the processes of the interstate system. Some states are, however, stronger than others, meaning that they have greater control over internal fragmentation and outside intrusion. No state, nonetheless, is wholly sovereign.

In a system of multiple states, there are rather long cycles in which one state manages to become for a relatively brief time the hegemonic power. To be a hegemonic power is to achieve a quasi-monopoly of geopolitical power, in which the state in question is able to impose its rules, its order, on the system as a whole, in ways that favor the maximization of accumulation of capital to enterprises located within its borders.

Achieving the position of being the hegemonic power is not easy, and has only been truly achieved three times in the five-hundred-year history of the modern world-system—the United Provinces in the mid-seventeenth century, the United Kingdom in the mid-nineteenth century, and the United States in the mid-twentieth century.4

True hegemony has lasted, on average, only twenty-five years. Like quasi-monopolies of leading industries, quasi-monopolies of geopolitical power are self-liquidating. Other states improve their economic, and then their political and cultural, positions and become less willing to accept the “leadership” of the erstwhile hegemonic power.

Premise No. 3 is a reading of what has happened in the modern world-system from 1945 to 2010. I divide this into two periods: 1945 to circa 1970; circa 1970-2010. Once again, I summarize what I have argued at length previously. The period 1945-circa 1970 was one of great economic expansion in the world-economy, indeed by far the most expansive Kondratieff A-period in the history of the capitalist world-economy. When the quasi-monopolies were breached, the world-system entered a Kondratieff B-downturn in which it still finds itself. Predictably, capitalists since the 1970s have shifted their focus from the production arena to the financial arena. The world-system then entered the most extensive continuous series of speculative bubbles in the history of the modern world-system, with the greatest level of multiple indebtednesses.

The period 1945 to circa 1970 was also the period of full U.S. hegemony in the world-system. Once the United States had made a deal with the only other militarily strong state, the Soviet Union (a deal rhetorically called “Yalta”), U.S. hegemony was essentially unchallenged. But then once the geopolitical quasi-monopoly was breached, the United States entered into a period of hegemonic decline, which has escalated from a slow decline into a precipitate one during the presidency of George W. Bush.5 U.S. hegemony was far more extensive and total than those of previous hegemonic powers, and its full decline promises to be the swiftest and most total.

There is one other element to put into the picture—the world-revolution of 1968, which occurred essentially between 1966 and 1970, and took place in all three major geopolitical zones of the world-system of the time: the pan-European world (the “West”), the Socialist bloc (the “East”), and the third world (the “South”).6

There were two common elements to these local political uprisings. The first was the condemnation not only of U.S. hegemony but also of Soviet “collusion” with the United States. The second was the rejection not only of dominant “centrist liberalism” but also of the fact that the traditional antisystemic movements (the “Old Left”) had essentially become avatars of centrist liberalism (as had mainstream conservative movements).7

While the actual uprisings of 1968 did not last very long, there were two main consequences in the political-ideological sphere. The first was that centrist liberalism ended its long reign (1848-1968) as the only legitimate ideological position, and both the radical left and the conservative right resumed their roles as autonomous ideological contestants in the world-system.

The second consequence, for the left, was the end of the legitimacy of the Old Left’s claim to be the prime national political actor on behalf of the left, to which all other movements had to subordinate themselves. The so-called forgotten peoples (women, ethnic/racial/religious “minorities,” “indigenous” nations, persons of non-heterosexual sexual orientations), as well as those concerned with ecological or peace issues, asserted their right to be considered prime actors on an equal level with the historical subjects of the traditional antisystemic movements. They rejected definitively the claim of the traditional movements to control their political activities and were successful in their new demand for autonomy. After 1968, the Old Left movements acceded to their political claim to equal current status for their demands, in place of deferring these demands to a post-revolutionary future.

Politically, what happened in the twenty-five years succeeding 1968 is that the reinvigorated world right asserted itself more effectively than the more fragmented world left. The world right, led by the Reagan Republicans and the Thatcher Conservatives, transformed world discourse and political priorities.

The buzzword “globalization” replaced the previous buzzword “development.” The so-called Washington Consensus preached privatization of state productive enterprises, reduction of state expenditures, opening of the frontiers to uncontrolled entry of commodities and capital, and the orientation to production for export. The prime objectives were to reverse all the gains of the lower strata during the Kondratieff A-period. The world right sought to reduce all the major costs of production, to destroy the welfare state in all its versions, and to slow down the decline of U.S. power in the world-system.

Mrs. Thatcher coined the slogan, “There is no alternative” or TINA. To ensure that, in fact, there would be no alternative, the International Monetary Fund, backed by the U.S. Treasury, made as a condition of all financial assistance to countries with budgetary crises adherence to its strict neoliberal conditions.

These draconian tactics worked for about twenty years, bringing about the collapse of regimes led by the Old Left or the conversion of Old Left parties to adherence to the doctrine of the primacy of the market. But by the mid-1990s, there surfaced a significant degree of popular resistance to the Washington Consensus, whose three main moments were the neo-Zapatista uprising in Chiapas on January 1, 1994; the demonstrations at the Seattle meeting of the World Trade Organization in Seattle, which scuttled the attempt to enact worldwide constraints on intellectual property rights; and the founding of the World Social Forum in Porto Alegre in 2001.

The Asian debt crisis in 1997 and the collapse of the U.S. housing bubble in 2008 brought us to our current public discussion of the so-called financial crisis in the world-system, which is, in fact, nothing but the next-to-last bubble in the cascading series of debt crises since the 1970s.

Premise No. 4 is the description of what happens in a structural crisis, which the world-system is in at the present time, has been in at least since the 1970s, and shall continue to be in until probably circa 2050. The primary characteristic of a structural crisis is chaos. Chaos is not a situation of totally random happenings. It is a situation of rapid and constant fluctuations in all the parameters of the historical system. This includes not only the world-economy, the interstate system, and cultural-ideological currents, but also the availability of life resources, climatic conditions, and pandemics.

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Michael Thorn: Television Discourse and Governmentality: Considering Da Vinci's Inquest and Da Vinci's City Hall as Citizen Projects

Television Discourse and Governmentality: Considering Da Vinci's Inquest and Da Vinci's City Hall as Citizen Projects
by Michael Thorn
Cineaction #82/83 (Hosted on Free Library)

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This analysis will use a Foucauldian governmental approach that borrows from political economy. A governmental approach is a context-specific approach that analyzes cultural institutions, products, and discourses in terms of tactics and strategies of influence and control where power and knowledge work together to regulate, manage, problematize, and maintain and/or change behaviour and thought. (3) This approach assumes that "discourses structure action, belief and conduct" (4) and it has been applied to both film and television. (5) It also assumes that discourses compete with each other as "wills to knowledge" and "wills to power" in what Foucault calls "truth games." (6) Understood in this way, discourse is both more and less than ideological. That is, this approach understands that tactics and strategies can be resisted, rejected, and contested both by those addressed and by others seeking to address the same audience. As Foucault says, "[t]he power relationship and freedom's refusal to submit cannot ... be separated." (7) However, this approach also understands that the types and forms of knowledge and power used to underlie the "truth" of any particular discourse will still have an impact on that text's ability to maintain, control, or change thought. A governmental analysis of discourse in film, television, and new media, then, is not so much concerned with how the spectator is hailed to accept as true, uncritically, a certain ideology, or, alternatively, how a certain discourse can be deconstructed to reveal its inherent contradictions, or even how a multiplicity of spectator positions can frame a text in different ways; rather, this approach is concerned with the methods, practices, and knowledges used to try to persuade spectators to accept as valid particular perspectives--perspectives seeking to maintain, control, or change enough thought about an issue or problem so as to have an impact on that problem. As such, this approach should also work to uncover the political, economic, and institutional influences reinforcing these discursive tactics and strategies. This is why the discipline of political economy is perfectly suited to dovetail with a governmental analysis. According to Vincent Mosco, political economy is the study of "the social relations, particularly the power relations, that mutually constitute the production, distribution, and consumption of resources." (8) How discourses, especially media discourses, are constituted politically and economically prior to and during distribution and consumption have definite effects on their governmental influence. For Mosco, the key entry point for political economy is the process of commodification, but this process must also be understood in relation to processes of spatialization and structuration. (9) While this paper does refer to the profit-driven commercialization of Canadian television, a process of commodification, and also to the relationship between the regional politics of Vancouver and the national politics of Canada, a spaclalized relationship, the political economic emphasis in this paper will be on how the discourse of the Da Vinci series participates in structuring and promoting certain kinds of social relations, particularly power relations; in this case, as they pertain to the relationship between certain governmental institutions (the police and coroner's office) and certain vulnerable populations in Vancouver's Downtown Eastside (drug users and sex-trade workers). Of course, for Foucault, technologies of power intersect with technologies of production, technologies of sign systems, and technologies of the self. (10) As such, the Foucauldian emphasis here will be on how the narrative sign system of the show is constituted with the power to influence and change thought and action (or the self) on the issue of harm-reduction through productive influences. In other words, this paper will use as its entry point that intersection where the show's explicit textual meaning meets both its socio-political context and (some of) the creative elements of its production. 1 am using this as my entry point to highlight the show's obvious political agenda, which seems to operate above and beyond any desire of the show's producers to generate profit.

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